American Federal and Neoclassicism
The American Federal Era began after the Revolutionary War and carried into the early 19th century. Americans were taking pride in their nation and their patriotism was reflected in the silver of that time. Common pattern motifs included eagles, flags, and military and civic heroes. Overlapping with the Federal era, Neoclassicism also flourished in the beginning of the century. Celebrating classical themes from Rome, Greece, and Egypt, silversmiths often added scrolls, urns, flowers, and mythological creatures to their patterns.
Tariff of 1842
The Tariff of 1842 was crucial to the development of a thriving silver industry in America. The tariff levied a 30-percent tax on silver imported from other countries. Due to expense, imported silver declined after the tariff, giving American silver companies an advantage in a virtually competition free marketplace. Companies founded prior to the tariff, such as Tiffany &Co. and Gorham, took up the advantage with relish and thrived through the rest of the century and after.
Industrialism and Artistry
Advances in machinery during the Industrial Revolution not only boosted production of silver, but also affected the artistry of patterns. The amount of time needed for making a piece of silver was greatly shortened by the use of new machines, giving silversmiths more time to concentrate on the design. Also, with a growing public demand for personal silver came a demand for different pattern styles. Revivals of past design periods came and went in the middle of the century as more and more silver was manufactured. The Rococo Revival, among other periods, followed the Neoclassicism of the early part of the century, with heavily ornate designs featuring shells, flowers, and scrolls. By the end of the century, hundreds of patterns were available for sale.
Japanese Influences
In 1854, the United States made a treaty with Japan, in which the Asian nation opened its ports to American ships. For the first time, the art and culture of Japan was being seen by the American public and silversmiths. Silver patterns in the last part of the century would reflect America's growing fascination with Japanese painting, sculpture, and interior design. An example of this is the Vine Collection, introduced by Tiffany &Co. in 1872. Inspired by the natural motifs of Japan, the pattern offered a variety of fruits, flowers, vegetables, and grains in high-relief.